Every gallery here is a complete day — not a selection of the best frames, but the whole arc of it. The light before the ceremony, the quiet right after, the in-between parts that don't have a name.

I shoot on 35mm film alongside digital. Some of what you see here was made on a roll of Portra 400. Some of it was made on a Canon. Most of the time you can tell which is which. Sometimes you can't. That's the point.